Reading thoughts: Bored Gay Werewolf
Dec. 13th, 2025 03:24 amThis is the book I've been hankering after for a few days now. Partly because it seemed to me very Frankcore, yes, I will admit... but also partly because I just love werewolves and shapeshifting, especially as allegories for queerness. So I picked it up and blasted through it in a few hours and I enjoyed it! But I'm also a bit disappointed.
First of all, the themes are not subtle. Toxic masculinity, the importance of emotional vulnerability, the sense of not belonging, upper class pyramid schemes under the guise of mental health and alpha-isms. This book knows what it's about (which I love) and spells it out for you (which I don't love as much). I enjoyed sometimes how on-the-nose it could be, but sometimes it felt as if the story thought I was stupid. I wish it made me actually think a little more instead of just saying it straight-up. But if we're putting that aside, the strong clear-cut message works mostly in the book's favour. It never gets muddled up, it never veers off-track.
The writing style is a delightful fit for the vibe of the book. It's very witty, fast-paced, even a little immature at times in a good way. And funny! Some jokes really got me to laugh out loud. At the same time though, when it gets serious, it does it well. All the heavy moments really hit you even when the other parts are silly. It also feels very raw, and blunt, not mincing words at all. Like I said before, sometimes the directness annoyed me... but other times it felt absolutely perfect. I think it's that subtle difference between the cool atmospheric "beating me with a sledgehammer" and the frustrating "spoonfeeding me everything in the story".
The characters were interesting, especially the main character Brian. He and I have mostly nothing in common on paper but of course there are things about him that are painfully relatable. Having no sense of direction, wanting so badly to belong. His estrangement from his parents felt very real. Nik and Darby were cool, not the fullest characters ever but they were likeable and served their roles in the story well. Tyler was an absolute caricature, but that's not a negative. It fits because he's fallen for his own grift, and now it's his entire identity. He is nothing and no one outside of it. I also liked the decision to kill Mark off despite him being seemingly more sympathetic than Tyler, and how he finds it much harder than Brian to let go. Because he's been falling for it his whole life, because he's just weak and different (read: gay) enough to hold resentment for Tyler, but he has nowhere else to go and nothing else to believe in. Honestly, what an on-point representation of the little two-man cult that is their abusive bromance. That Tyler/Mark/Brian toxic yaoi triangle was so damn good.
On that note, the portrayals of toxic masculinity were pretty chilling. That's ultimately what the book is about and I hated every moment of it (in a good way). In the end Brian finds happiness in being open and "weak" with his friends instead of posturing with disgusting straight(ish) men, and it's cheesy, but it works.
There is one scene that I hate though, mostly as a personal thing. When Brian comes out to Nik and Darby about his lycanthropy and they go "Haha we know!". Oh my god. One of the tropes I absolutely hate the most, no matter if it's coming out as gay or as a werewolf or whatever. I can't even describe why I despise it, but the entire chapter I was wrinkling my nose in disgust. I would love this book 100% more if it had just gone through the simple matter of making Nik and Darby react, to be surprised by the fact that their best friend is a murderous monster and love him anyway, instead of pulling that cheap trick.
Anyway, I've seen some reviewers compare this to Fight Club, which is accurate. Fight Club mixed with a hefty dose of Mean Girls. That being said, I wish the story had went harder on this. There are woefully few scenes of their little fight club, and when it's there it mostly glosses over the violence. This is related to a deeper issue I have with the book which is that I wish it wasn't afraid to go a little grittier. It isn't a rating problem, as there are two sex scenes. And yet the violence in this book seems so muted. Maybe it's just my gore-loving self, but why shy away? Werewolves and violence are two things that are fundamentally inseparable, but as it is the supernatural part seems more like set dressing. It feels scared to go into bloody territory, when bloody territory should be a werewolf's bread and butter.
I guess my most major complaint about it was that it just didn't feel crazy enough. Was it fun and campy and awesome? Yes. Was it as insane and wacky and gorey as I expected from a book titled "Bored Gay Werewolf" with a cover in neon colours? No. The concept is amazing, everything is there to make it perfect for me, but the execution falls just a little short. I think I would love it a lot more if I hadn't been looking forward to it for a while.
That being said, it's still a fun read. It's easy to get through but doesn't lack in intelligent and relevant themes which it delivers clearly through a clever and funny character voice. I give it a 7.5/10!
First of all, the themes are not subtle. Toxic masculinity, the importance of emotional vulnerability, the sense of not belonging, upper class pyramid schemes under the guise of mental health and alpha-isms. This book knows what it's about (which I love) and spells it out for you (which I don't love as much). I enjoyed sometimes how on-the-nose it could be, but sometimes it felt as if the story thought I was stupid. I wish it made me actually think a little more instead of just saying it straight-up. But if we're putting that aside, the strong clear-cut message works mostly in the book's favour. It never gets muddled up, it never veers off-track.
The writing style is a delightful fit for the vibe of the book. It's very witty, fast-paced, even a little immature at times in a good way. And funny! Some jokes really got me to laugh out loud. At the same time though, when it gets serious, it does it well. All the heavy moments really hit you even when the other parts are silly. It also feels very raw, and blunt, not mincing words at all. Like I said before, sometimes the directness annoyed me... but other times it felt absolutely perfect. I think it's that subtle difference between the cool atmospheric "beating me with a sledgehammer" and the frustrating "spoonfeeding me everything in the story".
The characters were interesting, especially the main character Brian. He and I have mostly nothing in common on paper but of course there are things about him that are painfully relatable. Having no sense of direction, wanting so badly to belong. His estrangement from his parents felt very real. Nik and Darby were cool, not the fullest characters ever but they were likeable and served their roles in the story well. Tyler was an absolute caricature, but that's not a negative. It fits because he's fallen for his own grift, and now it's his entire identity. He is nothing and no one outside of it. I also liked the decision to kill Mark off despite him being seemingly more sympathetic than Tyler, and how he finds it much harder than Brian to let go. Because he's been falling for it his whole life, because he's just weak and different (read: gay) enough to hold resentment for Tyler, but he has nowhere else to go and nothing else to believe in. Honestly, what an on-point representation of the little two-man cult that is their abusive bromance. That Tyler/Mark/Brian toxic yaoi triangle was so damn good.
On that note, the portrayals of toxic masculinity were pretty chilling. That's ultimately what the book is about and I hated every moment of it (in a good way). In the end Brian finds happiness in being open and "weak" with his friends instead of posturing with disgusting straight(ish) men, and it's cheesy, but it works.
There is one scene that I hate though, mostly as a personal thing. When Brian comes out to Nik and Darby about his lycanthropy and they go "Haha we know!". Oh my god. One of the tropes I absolutely hate the most, no matter if it's coming out as gay or as a werewolf or whatever. I can't even describe why I despise it, but the entire chapter I was wrinkling my nose in disgust. I would love this book 100% more if it had just gone through the simple matter of making Nik and Darby react, to be surprised by the fact that their best friend is a murderous monster and love him anyway, instead of pulling that cheap trick.
Anyway, I've seen some reviewers compare this to Fight Club, which is accurate. Fight Club mixed with a hefty dose of Mean Girls. That being said, I wish the story had went harder on this. There are woefully few scenes of their little fight club, and when it's there it mostly glosses over the violence. This is related to a deeper issue I have with the book which is that I wish it wasn't afraid to go a little grittier. It isn't a rating problem, as there are two sex scenes. And yet the violence in this book seems so muted. Maybe it's just my gore-loving self, but why shy away? Werewolves and violence are two things that are fundamentally inseparable, but as it is the supernatural part seems more like set dressing. It feels scared to go into bloody territory, when bloody territory should be a werewolf's bread and butter.
I guess my most major complaint about it was that it just didn't feel crazy enough. Was it fun and campy and awesome? Yes. Was it as insane and wacky and gorey as I expected from a book titled "Bored Gay Werewolf" with a cover in neon colours? No. The concept is amazing, everything is there to make it perfect for me, but the execution falls just a little short. I think I would love it a lot more if I hadn't been looking forward to it for a while.
That being said, it's still a fun read. It's easy to get through but doesn't lack in intelligent and relevant themes which it delivers clearly through a clever and funny character voice. I give it a 7.5/10!
"One of the men in the restaurant says something and everyone else at the table laughs. That used to be me, Brian thinks. He knows he'd never be welcome, but he wonders if he just stands there long enough whether he could gain some of that warmth, enough to light a candle. If he did, and he kept it close to his chest, his free hand cradling the flame, could it last through the night or would it go out just as he turns the corner to his apartment?"